Guide Initiation in das Chakra-System des göttlichen Menschen (German Edition)

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  2. Touto esti to sperma mou. Ho pater estin ho huios dia to pneuma hagion. AUMGN. AUMGN. AUMGN.
  3. Best alchemy images in | Alchemy, Occult, Sacred geometry
  4. Ethnomed - Handbuch der Ethnotherapien - Handbook of Ethnotherapies (german-english).pdf

Tantric monastic universities in Tibet had to maintain the artistic traditions needed for making particle Mandalas. The keys to the intentionally cryptic, precise geometrical instructions for the ground plan had to be memorised and transmitted from generation to generation. Monk-artists of talent had to be selected and trained. And the techniques had to be constantly refined. While more research needs to be done on the early development of the particle Mandala, it is likely that the earliest form in India was made by hand with coloured chalks on the ground by a tantric guru as part of the ritual of initiation of his or her disciples.

Sometimes it may have been a large, simple sacred circle, which would actually be entered during the ritual. Thus the actual forms of the Mandalas must have been fairly crude, although the ritual itself infused each line with mystical energy and profound significance. The basic purpose is to create a sacred space within which the creative imagination can assert its power over substance. Within the world of the Mandala, the guru is no ordinary human, but becomes indivisible with the Buddha paradigm, here the Buddha Kalachakra-Vishvamata couple.

When initiants are brought in blindfolded, they are instructed to set aside the conventional imagination of the ordinary world and the ordinary self and to visualise themselves as the Kalachakra Buddha. The whole experience is enormously detailed, taking months to prepare and several days to perform, and the initiant ideally should enter prolonged contemplative retreat afterward. At some point in the tradition in India, great masters such as the pandit Abhayakaragupta began the practice of making miniature Mandalas, too small for persons actually to enter, but provided a vivid blueprint for a three-dimensional visualised Mandala within which the ritual is imagined to be taking place.

This miniature Mandala, undisturbed by physical entrance, could be rendered in much greater detail, with much finer technique.

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It is fairly certain that this type of sand-particle painting was done with the fingers in India. Tibetan practitioners today demonstrate extraordinary skill in making delicate details using just their fingers. However, it seems that only in Tibet was the cone-shaped, fine-tipped funnel employed to make a line of extreme delicacy and flexibility. With this instrument and extreme patience and skill, Tibetan artists have been able to make these amazingly complex and vivid particle Mandalas.

In this Kalachakra Mandala, the central chamber is a circle containing a vajra with an orange dot at the left, which symbolise Kalachakra and Vishvamata [Time Machine and All-Mother] archetype Buddhas. Around the circle are eight lotus petals, on which dots stand for the eight Shakti goddesses, symbolising the compassionate energies of the enlightened heart.

Other little flowers and dots refer to the other deities of the mind Mandala- palace, the first of the three concentric buildings in the Mandala. This building can be recognised by the three-storied arched gates that are depicted two-dimensionally, lying down outward from the actual doorways of the building. The next building, moving outward, is the speech Mandala-palace, which has eight eight-petaled lotuses, on which stand the sixty-four speech goddesses, eight per lotus.


Each group is ranged around a center, supporting a divine couple in which the female deity is the dominant partner. The third and outermost building, the body Mandala-palace, has twelve, twenty-eight-petaled lotuses, on which the three hundred sixty deities of the days of the years are dancing, each lotus supporting twenty-eight goddesses dancing around a deity couple in the center, with the male deity as the dominant partner.

The lotuses represent the twelve months. Outside of that is a ring composed of various elements, on which eighty-eight mantric, Sanskrit seed syllables refer to eighty-eight deities associated with the planets, lunar mansions, zodiacal signs, and mythical pantheons common to a number of Asian civilisations. Ich biete derzeit gerne Einzelarbeit, aber auch Workshops oder Seminare auf Anfrage zu folgenden Themen an:. Schon als Kind hat mich die Frage bewegt, was allem zu Grunde liegt.

Touto esti to sperma mou. Ho pater estin ho huios dia to pneuma hagion. AUMGN. AUMGN. AUMGN.

Das war der Beginn einer neuen Art des Lernens. Aber es zu teilen ist ein Quell der Freude.

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Habe die Lehrerausbildung abgeschlossen. I have known the great blessing of sharing my life with Aaravindha for 27 years.

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When he entered my life through an introduction from a mutual friend my life was inexplicably changed! The techniques Aaravindha first taught launched me into a powerful discovery of transcendence and realized radiance. The last twenty years have been a beautiful process of spiritual awakening, filled with the joy of sharing this beautifully pure knowledge with the world. I am ever-grateful to be a steward of the Sambodha teachings, and to support Aaravindha and the many other Sambodha teachers in their expression.

I am awed at being able to focus my life in this way, and appreciative for all I have learned and continue to learn. The Surah Parampara is a powerfully deep tradition that requires the spiritual aspirant to put his or her heart on the sacred inner altar. It awakens compassion, humility, sincerity, truthfulness, non-harming, willingness, generosity, and the ability to see the One Beloved in all living beings alike.

I am continually stretched further to grow in new and more expansive ways. To discover the freedom and love that is ever-waiting for us when we let go to that essential nature is true bliss! I delight in teaching the advanced Pavana meditations, which I have been doing now for twenty years. I frequently teach the Shantata Natanya, Silence Dancing at many of the seminars, which is a way of moving in essential presence. I help organize many of the Sambodha seminars and events and work closely with Aiyanna in Europe, and Arshia in the US.

Als ich Aaravindha Himadra das erste mal begegnete wusste ich, dass ich den spirituellen Weg, nach dem ich mein Leben lang gesucht hatte, gefunden habe. Die Stille wird wahrnehmbar als Ausdehnung und ihre Ordnung kann sich nun in unser ganzes System integrieren. Denn all unsere Realisationen, die wir in der Meditation machen, werden erst dann lebendig, wenn wir sie in unserem Leben umsetzen. Sie begleiten uns in unsere Freiheit, die Freiheit nach der wir uns so sehr sehnen, denn sie entspricht unserer Natur.

Ausbildung zur authorisierten Sambodha Lehrerin , Meditationspraxis seit Meine Suche war hiermit beendet. Heute bin ich einfach nur dankbar, dass ich diese Lehre erfahren, unterrichten und leben darf. Damals fiel mir auf, dass manche Leute einen besonderen Glanz in den Augen hatten, und ich fragte mich , was an diesen Leuten bzw.

Tief in mir wuchs der Wunsch zu wissen, wie es gedacht sei, dieses Leben zu leben. Wie das so ist im Leben, findet man aber nicht immer gleich seinen Weg.

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  • Als junge Frau versuchte ich dann einfach, in diese Welt und ihre Forderung zu passen. In mir war ein klares Nein! Meine Tochter war damals gerade 3 Jahre und mein Wunsch war es, eine gute Mutter zu sein. Dieser Weg war anfangs nicht leicht, aber er war richtig! Die folgenden Jahre der Lehrerausbildung, das Meditieren und Studieren des heiligen solaren Wissens in Verbindung mit der Naturheilkunde, haben mich in eine gute Richtung heilen und wachsen lassen.

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    In meinem kleinen Meditationsraum in meinem Haus, halte ich Seminare, ja alles, was uns dieses kostbare Wissen schenkt, manchmal Einzelunterricht oder auch kleinere Gruppen bis 10 Personen. Da ich nicht im Besitz eines Computers bin, ist das Telefon hilfreich bei Anfragen. Bei Interesse schicke ich gerne einen Flyer. The deep look of knowing imbues their being. It becomes evident they touched it—that indescribable place of truth and joy we all share.

    In that brief triumph that knowing is shared; sometimes through blissful tears, or an irrepressible smile.

    Those fleeting moments of silent jubilation make all of the years of study and practice recede into insignificance. When the light turns on like that it becomes clear that this truth and joy is what truly matters! It has been a deep blessing to have been guided to the Surah Parampara lineage, and Aaravindha and Ashayrah.

    It is with celebratory gratitude that I have witnessed so many in this tradition—co-teachers, students, and myself, blossoming open into freer, more loving and aware people. These techniques work. The knowledge that accompanies them is vast and potent. Together they quickly bring about the greater awareness and love this world so desperately needs now.

    Although I am passionate about all aspects of learning about and teaching awakening, I am especially fascinated with nature, and enjoy helping people learn techniques for connecting more deeply with nature themselves. It is through this deeper connecting, combined with the discovery of our own true nature, that we can step into our roles as the links between heaven and earth, and truly become the stewards the planet is calling for. It is through teaching it that I have found access to ever-deeper layers of this expansive, living knowledge.

    Ethnomed - Handbuch der Ethnotherapien - Handbook of Ethnotherapies (german-english).pdf

    And it is through its sharing that I am allowed to witness its extraordinary power to transform lives. For many years I was searching for a deeper meaning of life, for truth, love and peace, in myself, in others, in the world, and I found bits and pieces, parts of the mosaic, along the way. When I met Aaravindha Himadra in and began to learn the Solar Knowledge, it felt like coming home and now I know that all that I had searched for in the past has always been within myself, waiting to be remembered and brought back into life.

    One of the greatest challenges on any spiritual path, I feel, is to consistently apply what one learns into daily life. In the Solar Tradition, one of the key principles in being able to do this is the ongoing process of letting go of all that stands in our way of integrating our spiritual knowledge and experiences in all that we do. Today, a part of living spirituality for me is sharing the Solar Knowledge, the Solar Meditation Techniques, as well as my experiences and insights with others who are also interested in finding their way back to their true inner Selves.

    Meditation gibt mir Klarheit, Zentrierung und Leichtigkeit. Gerne gebe ich auf Anfrage auch Einzelsitzungen und Behandlungen. Meditation war jedoch eine Sache, zu der ich leider noch keinen Zugang gefunden hatte. Als ich ihn jedoch unmittelbar nach dem Seminar wieder sah, kam ich aus dem Staunen kaum mehr raus. Ich wusste noch nicht wo er war, ich wusste nur: es musste ausgesprochen gut gewesen sein.

    Und das wollte ich auch haben — soviel stand fest.